Crow’s Theatre Presents
the Goodman Theatre, Center Theatre Group, Vineyard Theatre Production of DANA H.
Written by Lucas Hnath
Adapted from interviews with Dana Higginbotham conducted by Steve Cosson
Directed by Les Waters
Starring Jordan Baker as Dana H.
CANADIAN PREMIERE
The critically acclaimed and celebrated play DANA H. arrives in Toronto following a triumphant Broadway run and subsequent U.S. tour. This riveting, cutting-edge drama follows the harrowing true story of Dana Higginbotham, a chaplain in a psychiatric ward, who was abducted by one of the patients and held captive in a series of Florida motel rooms for five months.
Her son, acclaimed playwright Lucas Hnath (A Doll’s House, Part 2), has created a powerful drama for the stage with his mother’s own voice and courageous words. The show’s dialogue is audio culled from days of recorded interviews. Performed with precision by Jordan Baker, she lip-syncs every word, both channelling and paying tribute to Dana Higginbotham.
Winner of the Lucille Lortel Award for Outstanding Solo Show, two Tony Awards (Best Performance, Best Sound Design), and The New York Times Critic’s Pick, DANA H. shatters conventions and delivers a chilling and unforgettable exploration of survival and storytelling.
THE COMPANY
Jordan Baker – Dana Higginbotham
Jordan Baker is best known for creating the role “C” in the NY production of Edward Albee’s Pulitzer Prize winning play Three Tall Women. She is the recipient of a Theatre World Award for her Broadway debut in Tennessee Williams’ Suddenly, Last Summer opposite Elizabeth Ashley. Film: The Post opposite Meryl Streep and in The Land Of Steady Habits opposite Ben Mendelsohn. She created the role of Cindy in Rebecca Gilman’s play Luna Gale directed by Robert Falls at The Goodman Theatre and CTGs Kirk Douglas Theatre (2014 Jeff Award, 4 LA Drama Critics Circle Award Nom./ Ovation Award Nom.) She also created the role of Fran in the American production of Things I Know To Be True by Andrew Bovell directed by Mark Clements (co-production Milwaukee Rep & Arizona Theatre Company).
Lucas Hnath – Playwright
Lucas Hnath received a 2017 Tony Award nomination for Best Play with A Doll’s House, Part 2. Hnath’s other plays include Hillary and Clinton, The Thing Place, Red Speedo, The Christians, A Public Reading Of An Unproduced Screenplay About The Death of Walt Disney, Issac’s Eye, and Death Tax. He has been produced on Broadway at the John Golden Theatre, Off-Broadway at New York Theatre Workshop, Playwrights Horizons, Soho Rep, and Ensemble Studio Theatre. His plays have also been premiered at the Humana Festival of New Plays, Victory Gardens, and South Coast Repertory. He is a New York Theatre Workshop Usual Suspect, a member of Ensemble Studio Theatre, and an alumnus of New Dramatists. Awards: Whiting Award, Guggenheim Fellowship, Kesselring Prize, Outer Critics Circle Award for Best New Play, Obie Award for Playwriting, Steinberg Playwright Award, and the Windham-Campbell Literary Prize.
Les Waters – Director
Les Waters is an Obie Award winner, was Artistic Director of Actors Theatre of Louisville from 2012-2018, where he directed The Thin Place, Evocation To Visible Appearance, Little Bunny Foo Foo, Recent Alien Abductions, MacBeth, For Peter Pan On Her 70th Birthday, The Glory Of The World, Luna Gale, At The Vanishing Point, The Christians, Our Town, Gnit, Girlfriends, Long Day’s Journey Into Night, and Big Love. From 2003-2011, he served as Associate Artistic Director at Berkeley Repertory Theatre. His productions have been seen in New York at Playwrights Horizons, Signature Theatre Company, The Public Theater, Second Stage Theater, Manhattan Theatre Club, Connelly Theater, Clubbed Thumb, Soho Rep, and Brooklyn Academy of Music, and regionally at theatres such as Arena Stage, Huntington Theatre Company, Mark Taper Forum, Steppenwolf Theatre Company, Goodman Theatre, Yale Repertory Theatre, American Conservatory Theater, La Jolla Playhouse, and American Repertory Theater. In 2009, he made his Broadway debut with In The Next Room, or The Vibrator Play. He led the MFA directing program at University of California, San Diego from 1995-2003.
Dana Higginbotham Interviewee
Steve Cosson Interviewer
Andrew Boyce Scenic Designer
Paul Toben Lighting and Supertitle Designer
Janice Pytel Costume Designer
Mikhail Fiksel Sound Designer
Tanya Palmer Dramaturg
Steve Cuiffo Illusion Designer and Lip Sync Consultant
Emily Schmit Associate Lighting and Supertitle Designer
Megumi Katayama Associate Sound Designer
Carly Beamish Head of Wardrobe
Lisa Nighswander Head of Props
Anna Kaltenbach Stage Manager
Stephanie Dilnot Apprentice Stage Manager
Shelley Miles Stage Management Consultant
Audience Advisory: DANA H. contains flashing lights and loud sound effects and includes dark themes and vivid descriptions of violence.
Pre-Show Talk
IDEAS AT CROW’S THEATRE—Live Taping of CBC Radio’s IDEAS
Sunday, March 24, 2024
“The Making and Unmaking of Violent Men”
Inspired by DANA H., social justice education scholar Miglena Todorova explores the roots of patriarchy and violence against women.
NOTE: Admission to the taping is free, but space is limited, and separate tickets are needed if you’ll also be attending the show afterwards. Reserve your spot here.
Post-Show Talkback in the Theatre:
Tuesday, April 2 with artists from the company
Mask Required Performances:
- Sunday, March 17 @ 1:30pm (also a Pay-What-You-Can performance)
- Tuesday, March 26 @ 7:30pm
- Wednesday, March 27 @ 1:30pm
It is a critically acclaimed Broadway oddity that theatre connoisseurs are most looking forward to setting their eyes (and ears) on. Lucas Hnath’s Dana H., having its Canadian premiere in Toronto is based around real-life recordings of an interview with a chaplain in a psychiatric ward who was held captive by a patient for five months in Florida; an actor, Jordan Baker in Toronto, lip-synchs along with precision. The original creative team is coming up, and it’s another coup by Crow’s to have landed this before London did.
The Globe and Mail
Lucas Hnath is a rockstar playwright
Forbes
Brilliant! One of the richest, most complete works of theater to come along in many seasons. Critic’s Pick
The New York Times
Gut-twisting, breath-stealing, Jordan Baker offers one-of-a-kind virtuoso acting!
San Francisco Chronicle